Archives For My Art

Inhaled Grace Ignites

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Relentless, I hear the sighs.
The “talentless” noticed by nothingness and its endless siren’s cry.
Sinking into the sands of insignificance,
.          head lowering with
.          a sun and its sinking glow;
.          heart being dragged under by the weight of its undertow.

Hear the black dog that snarls and rides with the incoming tide.
See the fight from within.
As the fire of creativity lights up embers,
.          and inhaled grace ignites.
For this battle belongs the beat of drums,
.          foot soldiers, metaphors, the Rock of offense;
.          the white horse, its rider and the march of the Second Adam.

Once more, embroiled in a stand-off with emptiness.

.        Once more, engulfed in battle against listlessness.

.                 Once more, pushing back echoes that drift through the mist of a toxic past.

This battle is fought in the shadows.
Where fists meet walls in nightmares,
and exhausted silence follows.
Each bit of shade.
Every movement.
One more potential mask.
Insincerity and plasticity,
.               hiding behind ersatz love, fabricated charity and a pristine facade.

Against which there is no retreat; no slide into the dark,
No giving in to the Black dog, its bite or grave digging bark.

Only complete surrender to the scarred rider on White horse;
The alpha, the omega; the finish and the start.


(©RL2017)

‘Submit yourselves therefore to God. Resist the devil, and he will flee from you.’ (James 4:7. ESV)

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Wings stretch and earth darkens.

From West to East, wrists to wood
From the river of bitter vinegar, to where it merges with blood from the north.

South past open flesh,
.                        before which mockery stood.

To where pierced feet meet;
.                        on branch intersecting branch;
.                        where branch kills the vine,
.                        and the vine is laid to rest.

All within the borders
.            of an empire, and an empire’s hornets’ nest.

To where silent spaces are professionally sealed
For fear of blind and impassioned zeal.

Before the scarlet X.
That marks the scarlet spot;

To the place where men and women,
.                  embalm the unforgettable
.                  with a burial cloth.

Look to the place forged by Light;
.       to the heart of where the darkened,
.       once received their sight.

To where the sudden presence of the messenger
disturbed the guards and the still of night.

There you’ll find that death
.         and boulder was no match for Light from Uncreated Light.

There the fire-born, who stands inside this broken enclave.
turns to humanity and sets its gaze.

“From God comes His own humiliation.
This; God’s self-limitation, now become your exaltation.

This unforgettable vertical collision,
lifts the now forgiven.

Therefore, rise as you are raised.

For I tell you the truth, He is Risen!”


(©RL2017)

‘In the person of Jesus Christ, in the death of the Son of God on the cross and His resurrection from the dead. God allowed this humiliation to come upon Himself and this exaltation to be the lot of the other, humanity […] God could not be more glorious as God than in this inconceivable humiliation of Himself to humanity, and the no less inconceivable exaltation of humanity to Himself.’ 

-(Karl Barth, CD. II:1 pp.662-664)

Red Halo: Assisi In Chains

February 25, 2017 — 4 Comments

Red Halo RL2017In his biography of St. Francis of Assisi, G.K.Chesterton refers to something he calls a ”Red Halo”. He does this twice in the book. (Link)

Each time the phrase is found in reference to Francis of Assisi. The first occurrence is when some town folk rush to put out a fire where Assisi was praying with Clare of Assisi, only to find, not a fire, but him collapsed and a Red Halo surrounding them. The second is when the younger Assisi is held captive in a dungeon after gearing up as a citizen soldier to fight in a skirmish with a warring neighbour. Evidently, their squad was captured.

‘Something very vast and universal was already present in that narrow dungeon; and such a seer might have seen in its darkness that red halo of caritas caritatum which marks one saint among saints as well as among men.’ [i]

The once-an-atheist, Chesterton wasn’t to my knowledge, and wide reading of his work, into, nor was he an advocate of mysticism. So it’s fair to say that “Red Halo’’ is for intent and purposes a metaphor used to emphasise what he sees as being a strange alien quality to Assisi; something to suggest that Assisi was grasped by something, or rather, someone not of this world.

This week’s instrumental is inspired by that phrase.

‘If a man may well doubt whether he is worthy to write a word about St. Francis, he will certainly want words better than his own to speak of the friendship of St. Francis and St.Clare. I have often remarked that the mysteries of this story are best expressed symbolically in certain silent attitudes and actions. And I know no better symbol than that found by the felicity of popular legend, which says that one night the people of Assisi thought the trees and the holy house were on fire, and rushed up to extinguish the conflagration. But they found all quiet within, where St. Francis broke bread with St. Clare at one of their rare meetings, and talked of the love of God. It would be hard to find a more imaginative image, for some sort of utterly pure and disembodied passion, than that red halo round the unconscious figures on the hill; a flame feeding on nothing and setting the very air on fire.’ [ii]

As for the creative process, my primary goal was to use a riff I had come up with on a tablet. That didn’t work out as well as I’d hoped and as a result, the tune changed into what you hear in the YouTube video. The focus of the melody is the piano. The lead guitar was down in two parts. My idea here was to use it as a filler. The bass is both guitar and keys running through an FX. I also had not intended on the harmony in the background. When I fiddled with the second lot of keys in the effects on audacity the second set turned out as it is in the recording. Slightly eerie, but intensely cool, given the subject matter. As with all things I’m doing here, I’m learning a lot each time and having fun doing it.

As with all of my music, because I am only using free mixing software at the moment, all are best heard through decent speakers or headphones. I’ve found that some headphones cut out the base and others swing the sound to mono.

Pax Christi!


Notes:

[i] Chesterton, G.K. 1923 Saint Francis of Assisi, Henderickson Classics

[ii] ibid, 1923

Music & Art are my own.

(©RL2017)

Noah’s Revolution

September 22, 2016 — Leave a comment

noah-2When we get past the cartoon images and mockery, Noah, at the command of God, was essentially the Ancient Near Eastern equivalent of a naturalist. He knew how to grow food, make wine, care for animals and build.

With God at the helm, Noah, and his family, in the face of recrimination and direct opposition, faithfully nurtured a carefully coordinated exodus out of moral chaos and self-destruction.

Drawn back from the veil of its Sunday School drawings, and oversimplified Atheist polemics, Noah’s story is about surgical renewal. It is about the preservation and conservation of creation.It is the application of strong medicine with the aim of total restoration.

With God, not just at the centre, but by choosing to be by humanity’s side, Noah and his family are man and woman equally united before God, against a darkened and morally corrupt World.

At it’s core is God’s determined push back against the Abyss and its fanatical legions; who seek the slow extinction of humanity through the happy intoxication of excess, ignorance and unbelief. From which humanity is viciously guided towards the precipice of its total self-annihilation.

I’m close to three quarters of my way through Church Dogmatics 2/2 and I’ve got a lot to reflect upon. I can see the big attraction the politically left theologians and left leaning Christians have with this volume. It’s tempting to even say that Barth is ”on their side”, but that wouldn’t be quite true.

It certainly wouldn’t accurately describe the knife edge Barth walks between Christian Universalism and Calvinism, or the scriptural tension between the two that Barth plays like a musical genius. It’d be a premature surrender. Besides, I’m almost convinced that to conscript Barth into Leftism, is to selectively misuse and overlook his warnings about, and opposition to Nazism. Including jettisoning a large portion of his own theological position.

I plan to put together a few posts about this as time permits. It’s a great deal to discuss in one blogpost.

So, for now, I’m just dropping this right here: matching quote with verse; a sketch with both. I’ve rearranged the order in which Barth’s block quote appears in the text. This doesn’t take away from the integrity of meaning. There’s quite a few statements throughout 2/2 that contain the same calibre of that which is expressed here.

Karl Barth:

‘Jesus is the One who uniquely and in isolation represents man to God, and God to man […] For as such He is not merely the prophet and proclaimer of the good news of God’s covenant with humanity, nor does He merely call men to hear & receive this news, but in doing so calls them to active co-operation in its proclamation.
When Jesus calls the apostles to Him, He does not promise that He will make them Christians, or even that He will first make them Christians and then apostles; but He immediately promises that He will make them apostles; bearers to humanity of a commission that will be given to them, the commission to seek and gather [in the spheres of world and Church; He chooses them as they are, calling them out from where they are].’ [i]

Jesus:

“Then they will deliver you up to tribulation and put you to death, and you will be hated by all nations for my name’s sake. And then many will fall away and betray one another and hate one another. And many false prophets will arise and lead many astray. And because lawlessness will be increased, the love of many will grow cold. But the one who endures to the end will be saved.” {Matthew 24:9-13, ESV}

 

RL2016_multiple barbs SOLO2

 


(RL2016)

[i] Barth, K. CD 2:2, pp.445 & 444 (parenthesis, Barth paraphrased)

Surreabral Footnotes

June 10, 2016 — 2 Comments

Musical notes project_squareThis particular song took a few weeks to put together. I had a sound in mind and decided to take the time to flesh it out. Usually I’m able to put a three-minute song together in a day and polish it (as best I can, with the basic tech that I have) over a week. This one was tough.

I started with a constant rhythm running in the background with two layers of drums, both sequenced to correspond with the consistent rhyme of the rhythm guitar. The intro is a reworked piece of the drum line and the lead guitar. The bass line was played on using keys and guitar.

The latter is dipped in reverb to better introduce the tune.

The title reflects the surrealist art. The picture looks like a brain walking around with crotchets as legs. If you stand back from it you’ll notice the two double crotchets that the form their own framework around the piece.

I’m content with the overall sound. I’m very fond of how the drums turned out. The lead was a bit touch and go. I had trouble getting the right tone and finding a melody that complimented the mood. One other thing I’m not 100% thrilled with, is how I ended it. The fade out works, however, it’s too easy of a fix.

Of course, the perfectionist in me would have liked to have had the time to tighten it all up a lot more, but it’s time to just post it and leave it for now.

There isn’t a lot of depth to the meaning of this. If I was to put a description to it, I’d go with “faith seeks understanding.”

On the spot, I’d say that ‘’Surrea-bral footnotes’’ are what we are left with when we are encountered by God, His Word, His promise, His presence. We wrestle with the cognitive challenges of our day; the abrasive questions about the realism of it all. Similar to those, who after Jesus encountered them, faced a hostile interrogation from those around them.

Karl Barth pointed out that joy is the radiance of God’s glory. That joy encapsulates the point: we march on, even when the world (sometimes those about us) are all to happy to mock and tear down.

it is a glory that awakens joy […] God’s glory radiates it […] because it is God who Himself radiates joy […] His glory is radiant, and what it radiates is joy. It attracts and therefore it conquers.’ (CD. II:1, pp.655, 654, 661) (Nehemiah 8:10; Psalm 30:5; Isaiah 55:12; John 15:11)

May the radiance of God’s glory warm you, comfort you, counsel you and be more real to you than just a surrea-bral footnote.

 

 


(RL2016)

‘In Jesus Christ, the fact that the Word became flesh undoubtedly means that, without ceasing to be eternity, eternity became time […] God humbles Himself and lifts us up by becoming one of us.’

(Karl Barth, CD. II:1 1940 , p.616)

Epiphany 2016